latest comments:
werkz advice: don't bother.
the movie "man of the century" is a neat idea which fails to really catch on. most time travel comedies are obsessed with the fish-out-of-water concept and exploring the hilarity within. motc, on the other hand, takes a character, johnny twennies, and puts it into the late nineties, without bothering to tell him that he's out of place. consequently, johnny deals with people and incidents as if he's right back in a 1920's reporter movie. full of antiquated cliches and references to old movies in times past, the concept itself sounds great. hell, i'd back a movie like that.
in reality, the movie appears to have been the victim of some mind-altering drugs. for starters, the entire plot appears geared to reference early 1920's movies...not the actual 20s themselves. this is easily manifested when johnny encounters crooks and villains and behaves with perfect chivalry, unlike anyone from the actual era. great movies point out the similarities across time, while great television comedies poke fun at the stereotypes of older periods (see that 70's show for instance) but lacking the pop-cultural signifiers of more recent days (pet rocks, lava lamps, pegged jeans, punk fashion), the time itself doesn't have any inherent humor in it. if one were merely clued into the cinema of the time, it might also work, but not being an avid early 20's movie watcher, i'm sure that some of the film-reference humor was lost on me. in addition, the jokes and cliches from that period aren't terrifically amusing in and of themselves. (using the expletive "banana oil" makes me almost want to laugh...on the inside) unconsciously, i think i wanted johnny to wake up, smell the dirty streets, and wise up. his bravado simple fell flat...
this points out another obvious flaw. the acting, script and even simple blocking all appear to be bad film-school fodder. actors butcher their lines, people look awkward around the camera, and only johnny himself appears natural: natural in only the way that someone ripped from the twenties can. it is never explained how johnny arrives in new york, or how the premise is setup. our suspension of disbelief is further tested when johnny explores an egyptian tomb, emerging from a trash can into his office, or when he suddenly appears in a scene dressed as a sailor. add a few musical moments and you've got the makings of a completely insane screenplay. words cannot describe the odd sense of pace that goes with motc, leaving one to only wonder when the next wacky "what is going on" occurrence will take place. lacking those scenes which don't appear to have anything to do with the movie, you've got under an hour of ho-hum entertainment acted by people who appear to be no more talented than you or i.
the one-trick pony, it seems, lacks enough moxie to win. ironically, when looking through the latest releases in blockbuster, another comedy was suggested to me, which i rejected on the basis of a picture on the back portraying a young man dressed in a bondage outfit next to a copy machine. it didn't appear to have anything to do with that particular movie, and one could only envision how such a character would come about. surprise of surprises, even this movie manages to sneak in a quick scene with a dirty old man decked out in leather finery. upon seeing this moment, i know motc wasn't going to deliver: combining the late nineties and early twenties is too great a gap.
But the White House is convinced of the similarities. Top Bush strategist Karl Rove, in fact, has invited historian Robert Remini to lecture senior officials at the White House Thursday on similarities between Bush and Jackson. read the bios. jackson is almost the exact opposite of bush, and the only similarities are the qualities in jackson that were undesirable, like his flaunting of international law. of course, in those days, there was no global community, which makes bush's transgressions all the more extreme. jackson's dislike for washington seems similar to today, except that in jackson's day, all government positions were life-long and prone to corruption. his creaton of the spoils systems seemed like a novel idea at the time. the washington of today is far less corrupt and beholden to the bureaucracy, making bush's nominees much more idelogical in nature. judge for yourself

